“SAINT SINNERS” by Harry Bertora

With over three decades devoted to music, Harry Bertora has built a career defined by passion, craftsmanship, and exploration. His new track “Saints and Sinners” continues that journey, blending his mastery of guitar and keyboards with a nostalgic yet fresh approach to instrumental soundscapes. Drawing from a rich palette of influences — from the soaring guitar work of David Gilmour and Jeff Beck to the cinematic synth textures of Jan Hammer — Bertora creates music that feels both timeless and contemporary.

“Saints and Sinners” stands at this intersection, carrying echoes of 80s instrumental synthwave and soft rock while also embracing the modern sensibilities of artists like FM Attack, Lavaros, and Balcony Sunrise. The track begins with atmospheric synth layers that set a contemplative mood before giving way to expressive guitar lines, each note resonating with emotion and precision. The interplay between guitar and synth is where Bertora truly shines, weaving textures that are immersive yet melodic. There’s a cinematic quality here — music designed not just to be heard, but to be experienced, transporting the listener into a reflective space where light and shadow, saint and sinner, coexist.

As with his recent albums Dreamland (2025) and Closer, “Saints and Sinners” demonstrates Bertora’s continued evolution as a composer and sound engineer. The production is polished yet organic, allowing his emotive playing to take center stage. What makes the track memorable is its balance of technical skill and heartfelt expression — a reminder that instrumental music can tell stories as vividly as words. With “Saints and Sinners”, Harry Bertora offers not just a song, but an escape: a lush, evocative soundscape where listeners can lose themselves and find their own reflections within the music.