“SEA OF MEMORIES” by Richard Green
- Levi

- Dec 2, 2025
- 2 min read

Richard Green’s Sea of Memories serves as the final installment of the first chapter in his ongoing trilogy A Journey, released on April 24, 2024. The track brings together Green’s interest in neoclassical structure, modern texture, and narrative-driven composition, resulting in a piece that functions as both a standalone work and a natural closing point for the EP. Rather than aiming for dramatic gestures, the piece focuses on clarity, detail, and emotional consistency. Green, who splits his work between Milan and London, draws on years of academic study and a wide range of previous projects. His background spans experimental music, collaborations, and genre-blending releases, and that experience shows in how he organizes sound. He approaches neoclassical music with a direct, intentional mindset. Nothing here feels overly ornamental. Instead, the composition prioritizes storytelling, using each instrumental layer to move the listener from one idea to the next with purpose.
A central part of the track’s identity comes from the musicians who perform it. Pianist Irene Veneziano leads the piece with a controlled and expressive touch, setting the tone from the start. Her playing is supported by the Archimia Quartet, whose strings provide structure and atmosphere without overwhelming the piano. The interaction between piano and strings is precise and balanced, showing careful coordination between the performers. Green’s arrangement gives each instrument a clear role, creating a sense of dialogue throughout the track. Although rooted in classical language, the composition makes room for modern sensibilities. A shift in the middle introduces more motion and intensity, adding contrast without breaking the piece’s overall calm tone. The energy in this section highlights Green’s interest in dynamics and pacing rather than relying on predictable crescendos. It also reflects his understanding that a reflective composition can still contain movement and direction.
The recording, completed at Studio Elfo near Piacenza, gives the piece a clean and natural sound. The acoustics allow small details to be heard clearly, from the resonance of the piano to the subtle textures in the strings. The production supports the composition instead of drawing attention to itself.
As the closing track of the EP, Sea of Memories summarizes Green’s broader vision: accessible neoclassical music shaped by emotional awareness, structural discipline, and a commitment to narrative. It signals a thoughtful continuation for the trilogy and reinforces Green’s place as a composer focused on meaningful, well-organized work.

















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