“ANGEL RAPHAELS TOUCH” by Karen Salicath Jamali
- Garcia

- Jul 30
- 2 min read

It begins like a whisper from beyond the veil—a sound not written, but received. “Angel Raphael’s Touch” by Karen Salicath Jamali unfolds as a gentle invocation, a piano piece born not from conscious composition, but from a dream. Guided by the healing energy of Archangel Raphael, each note is imbued with grace, carrying the listener into a space of calm, clarity, and quiet renewal. Jamali, a classically inspired pianist and visual artist, channels her music through dreams—moments of sacred transmission that have defined her work since a near-death experience awakened this ability in 2012. With “Angel Raphaels Touch,” she continues her practice of spiritual artistry, crafting soundscapes that go beyond music and enter the realm of healing energy.
There is no urgency here—only serenity, as if the piano itself is breathing. To preserve the delicate tone of this dream-born piece, Grammy-winning mastering engineer Maria Triana (Aretha Franklin, Bob Dylan, the Metropolitan Opera) brought her expert touch, ensuring the sound holds its original intention: to soothe and elevate. The cover art completes the offering—a bronze sculpture of Archangel Raphael, also created by Jamali in a state of dreamlike flow, linking the visual and sonic as two halves of one spiritual gesture. Based in both New York and Florida and originally from Denmark, Jamali’s work has long lived at the intersection of art, mysticism, and emotional healing.
With every release, including the serene Angel Raphaels Touch, Karen Salicath Jamali deepens her role as a messenger of spiritual calm through music. Rooted in neoclassical and classical crossover traditions, her work transcends genre—crafted not for performance, but for presence. Each composition offers a moment of stillness, a call to slow down and attune to the divine. Angel Raphaels Touch is more than a song; it’s a gentle reminder of the quiet strength that lives within us all. In a world that often feels unsteady, Jamali’s music becomes a sanctuary. For those already moved by her earlier work, this piece will feel like a return home—and a promise of more to come.
Garcia Penned 🖊️











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